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Driftwood: Waiter, have you got any milk-fed chicken?
Waiter: Yes, sir.
Driftwood: Well squeeze the milk out of one and bring me a glass. 77K |
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Mrs. Claypool: Mr. Driftwood, three months ago you promised to put me into society. In all that time, you've done nothing but draw a very handsome salary.
Driftwood: You think that's nothing, huh? How many men do you suppose are drawing a handsome salary nowadays? 96K |
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Driftwood: Why I can count them on the fingers of one hand, my good woman!
Mrs. Claypool: I'm not your good woman!
Driftwood: Don't say that, Mrs. Claypool. I don't care what your past has been. 59K |
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Driftwood(to Mrs. Claypool): There! I didn't mean to tell you, but you dragged it out of me. I love you! 35K |
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All of the routine above, in Real Audio, plus the following!
Mrs. Claypool: It's rather difficult to believe that when I find you dining with another woman!
Driftwood: That woman? Do you know why I sat with her? She reminded me of you!
Mrs. Claypool: Really?
Driftwood: Of course! That's why I'm sitting here with you - because you remind me of you! Your eyes! Your throat! Your lips! Everything about you reminds me of you! Except you. How do you account for that? If she figures that one out, she's good...
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Driftwood: I don't know - there's something about me that brings out the business in every woman. 25K |
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Driftwood: You see that man over there eating spaghetti?
Mrs. Claypool: No...
Driftwood: Well, you see the spaghetti, don't ya? 34K |
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Driftwood: Now behind that spaghetti is none other than Herman Gottlieb - director of the New York Opera Company. Do you follow me?
Mrs. Claypool: Yes...
Driftwood: Well stop following me or I'll have ya arrested! 70K |
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Driftwood: Now I've arranged for you to invest $200,000 in the New York Opera Company.
Mrs. Claypool: I don't understand...
Driftwood: Don't you see? You'll be a patron of the opera. You'll get into society. And then you can marry me and they'll kick you out of society. And all you've lost is $200,000. 106K |
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All of the routine above, in Real Audio. |
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Driftwood: There's no need of you reading that because these are duplicates.
Fiorello: Duplicates, a-huh... (reading)
Driftwood: I say they're duplicates.
Fiorello: Why sure they's a duplicates... duplicates...
Driftwood: Don't you know what duplicates are?
Fiorello: Sure, they's five kids up in Canada. 121K |
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Driftwood: All right, I'll read it to ya. Can ya hear?
Fiorello: I haven't heard anything yet. You said anything?
Driftwood: Well, I haven't said anything worth hearing...
Fiorello: Well, that's why I didn't hear anything.
Driftwood: Well, that's why I didn't say anything. 116K |
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Driftwood: It's alright - that's in every contract. That's what they call a "sanity clause".
Fiorello: Ha ha ha ha ha! You can't fool me - there ain't no Sanity Claus. 64K |
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The signing of the contract between Fiorello and Driftwood is considered to be a classic Marx Brothers bit. Here's the entire classic haggling scene between the two, in RealAudio format. |
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Driftwood: And, uh... two fried eggs, two poached eggs, two scrambled eggs, and two medium-boiled eggs.
Fiorello: And two hard-boiled eggs!
Driftwood: And two hard-boiled eggs.
Tomasso (Harpo Marx): (Honk!)
Driftwood: Make that three hard-boiled eggs. 94K |
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Driftwood: Do they allow tipping on the boat?
Steward: Oh, yes sir!
Driftwood: Have you got two fives?
Steward: Yes, sir!
Driftwood: Well, then you won't need the ten cents I was gonna give ya. 50K |
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The full version of the clip from above. Fiorello, Baroni, and the sleeping Tomasso are starved, and convince Driftwood to step out of his pint-sized stateroom and order some food for them from a steward. This is one of the funniest routines, often mentioned by critics as one of the most memorable segments in the film, along with the infamous scene where numerous people begin to fill the cramped cabin to "sardine can" capacity. |
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Driftwood:Well that's fine. If that steward is deaf and dumb, he'll never know you're in here.
Fiorello: Oh sure, that's alright.
Driftwood (answering a knock on the door): Yes?
Chambermaid: We've come to make up your room.
Fiorello: Are those my hard-boiled eggs?
Driftwood: I can't tell until they get in the room... 92K |
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Driftwood (answering door): Yes?
Woman: Is my Aunt Minnie in here?
Driftwood: Well, you can come in and prowl around in you wanna. If she isn't in here, you can probably find somebody just as good...
Woman: Well... could I use your phone?
Driftwood: Use the phone? I'll lay ya even money you can't get in the room! 99K |
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The Overcrowded Cabin routine is probably the most famous scene in this movie. Everyone from the engineer to the ship's manicurist seems to find their way into the pint-sized cabin, which eventually causes it to burst open upon the arrival of Mrs. Claypool. For your enjoyment, it is provided here in its entirety in RealAudio format. |
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Driftwood (addressing the opera patrons): Ladies and gentlemen... I guess that takes in most of you... 25K |
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Driftwood: I am sure the familar strains of Verdi's music will come back to you tonight. And Mrs. Claypool's cheques will probably come back in the morning. 51K |
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Driftwood: Senor Lassparri comes from a very famous family. His mother was a well-known bass singer. And his father was the first man to stuff spaghetti with bicarbonate of soda - thus causing and curing indigestion at the same time. 92K |
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Driftwood: And now - on with the opera! Let joy be unconfined. Let there be dancing in the streets, drinking in the saloons, and necking in the parlor. Play, Don... 68K |
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Driftwood's address from the opera house balcony, in Real Audio format. |